All About Persian Tar| Persian Tar | Sultan Of Instruments

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Persian Tar Tar is a long necked, double-bowl body instrument.  It is the newest musical instrument of Persian  folklor.  It only dates back to 250 years ago. Its  current form was developed in the 18th  century. Iranians say that Tar is the sultan of  instruments. It is strongly believed that Tar is the  descendent of rubab which is played in Pakistan  and Afghanistan. After is has been adopted to  Persian art by the musicians it became a common urban instrument.

The long and narrow neck of Tar has a flat fingerboard which ends with six wooden pegs. It has three courses of double "singing" strings which lies on the fingerboard There are also two pairs of shorter  strings which is under the bass and over two small copper bridges on the upper side of the fingerboard. Tuning of these strings are variable according to the performer's taste.

Characteristics of Tar

In Persian the word "Tar" means string and a Persian Tar is a  stringed vibrating musical instrument. The initial sound is produced by a stretched string  which is vibrating. These vibrating strings are called Chordophones. Persians name their favorite instrument as "Târ-e Shirâz" which means the Tar from Shiraz. Tar is simply a stringed instrument played with a plectrum. The plectrum is used to make tinkle the instrument. A Tar has also frets that have been tied on the neck.

Persian Tar Frets 

Pressing a string against a fret determines the vibration length of the string and its resultant pitch. Frets of traditional Tars are made of gut. They are embedded around the neck of it. Every fret consists of 3 or 4 threads according to the tradition. The frets are moveable in order to get a new arrange of frets. The number of classical Tar frets are between 22 and 28. The frets between whole tone and half tone frets representing the micro tones. 

The Traditional Style

Traditional style was born in the Qajar period. The tar was held on the chest up to early 1920's but later on it was brought down and was put on the legs. Not only the playing technique was changed but also some changes occurred in its structure. There are some recordings left from great masters. Mirza Abdollah and Mirza Hussein Qoli Farahani were very talented composers and composed beautiful pieces which are still the source of inspiration for many musicians.

The Quality Of The Sound

The tar is one of the main instruments of the Persian music. It is played both in ensemble and as a solo instrument. The volume of the sound is comparable with other traditional musical instruments like santur, ney oud and kamanche and can be played without using a microphone. Beside its usage in modern Iran ensembles, the tar has been played in orchestras. 

All the Tars at our store are hand made and are products of excellent craftsmen with affordable prices. If you are looking for buying a convenient Tar with a fair value, please visit our store in İstanbul or check our online catalogue.

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