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ES-4 電聲波斯塞塔爾琴(內建 EQ)

原價 $1,000.00 售價$599.00 節省 $401.00
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ES-4 電聲波斯塞塔爾琴(內建 EQ)

隆重介紹我們傳統伊朗樂器系列的最新作品:電聲塞塔爾琴。這款樂器為重視音色與工藝的音樂家精心打造,無論私密演奏或大型舞台都能從容應對。

這款獨特塞塔爾琴配備內建 EQ 等化器,可依您的音樂風格或場地聲學,輕鬆調整各頻段平衡。它可直接連接音箱,非常適合現場舞台演出。

每一個部件都展現細緻工藝與品質。琴身與面板採用堅韌的桑木製作;桑木在土耳其語中稱為「dut」,以出色音色與耐用性聞名。琴頸由胡桃木雕製,結構穩固且觸感平滑,帶來舒適演奏手感。

無論初學者或經驗豐富的音樂家,這款電聲塞塔爾琴都能呈現豐富而旋律性十足的聲音,帶領聽眾走進伊朗音樂文化的核心。它融合傳統設計與現代功能,不只是一件樂器,更是連結古老與當代音樂世界的橋樑。

材質:

  • 面板:桑木
  • 琴碗: 桑木
  • 琴頸: 胡桃木
  • 弦軸: 胡桃木

隨附配件:

  • 軟式琴袋
  • 備用琴弦

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M
Martino
Electric Acoustic Setar With Equalizer ES-4

A purchase you won't regret. Excellent starting point (with discounted price) for a unique electroacoustic Setar. It is extremely light and delicate (a hard case is strongly advised). Mine came with a little scratch on the back of the resonator, maybe that's why the cost dropped? Anyway the resonator does an excellent job. My experience is limited to only few years of listening to recorded performances and I'm self-taught, so take my review with a grain of salt. I expected a bit more sustain and a different tone when it comes to fretting the thinnest strings but if you use a pick (for Setar) then things improve dramatically. Still it shines depending on the point you pluck, which is what is most beautiful about this instrument. The "middle" string sounds very distinctive and if, for some reason, you are fanatic about the tone, well, there is a very practical equalizer on board! Now, it could have been equipped with a knob for mid frequencies as well. However, all buttons can be pushed inside, so you won't rub your forearm. Mind the battery adds weight and the instrument will easily fall towards its side, so be careful when you place at rest. To my surprise, the frets are fit in a very strange fashion. I'm acquainted with non-western tuning systems and I like the scale (for the moment I've decided not to move the frets). The fret for the "perfect octave" is half a comma off, and so is that for the "perfect fourth". It has pros and cons. This usually means you are forced to de-tune the open strings in order to get to a degree of actual unison-width and an agreeable amount of beatings, when playing a "perfect fourth" on the "middle" string to match a consonant octave, for example. I tried to move the bridge (it detached quite effortlessly) to get something done but seems hinged on the electroacustic apparatus. Eventually, I put it back where it was. Tuning mechanics are both super sensitive and reliable. I'm new to this instrument, now I play it everyday. Love it!