{"title":"Rebab","description":"\u003ch2\u003eTurkish Rebab: A Practical Guide to Choosing the Right Instrument\u003c\/h2\u003e\n\u003cp\u003eThe Turkish rebab is a traditional bowed string instrument with a warm, intimate, and distinctly vocal character. Its soft projection and expressive response make it especially suitable for Turkish music, Middle Eastern repertoire, improvisation, acoustic ensembles, studio work, and contemplative solo performance.\u003c\/p\u003e\n\u003cp\u003eThe word “rebab” can refer to several related instruments found across the Middle East, North Africa, Central Asia, and parts of Southeast Asia. Buyers should check the construction, playing position, number of strings, included bow, and regional style rather than assuming that every rebab is the same instrument.\u003c\/p\u003e\n\u003cp\u003eThis guide focuses on the Turkish rebab models available from Sala Muzik and explains how to choose among standard, professional, and left-handed options.\u003c\/p\u003e\n\u003ch2\u003eWhat Is a Turkish Rebab?\u003c\/h2\u003e\n\u003cp\u003eThe Turkish rebab is a bowed string instrument whose sustained, voice-like sound is created by drawing a bow across the strings. It belongs to a broad historical family of instruments whose names include rebab, rabab, rebap, and related regional spellings.\u003c\/p\u003e\n\u003cp\u003eUnlike an oud, saz, or plucked Afghan rubab, the Turkish rebab is played with a bow. Its construction generally includes a compact resonating bowl, a long neck, tuning pegs, a bridge, a fingerboard, and a resonating surface appropriate to its regional design.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eA compact resonating bowl\u003c\/li\u003e\n\u003cli\u003eA long, usually fretless neck\u003c\/li\u003e\n\u003cli\u003eTwo or three strings, depending on the model and tradition\u003c\/li\u003e\n\u003cli\u003eA separate bow\u003c\/li\u003e\n\u003cli\u003eWooden tuning pegs\u003c\/li\u003e\n\u003cli\u003eA bridge and nut made from a hard material\u003c\/li\u003e\n\u003cli\u003eA playing position suited to vertical bowing\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eBecause the fingerboard has no fixed frets, the musician controls pitch directly with the left hand. This allows the subtle intonation and melodic ornamentation needed in Turkish and Middle Eastern music, but it also requires careful listening.\u003c\/p\u003e\n\u003ch2\u003eWhat Does a Turkish Rebab Sound Like?\u003c\/h2\u003e\n\u003cp\u003eThe Turkish rebab produces a warm, nasal, intimate, and vocal-like bowed tone. Its sound is generally softer and more focused than a modern violin, with a raw acoustic texture that works particularly well for expressive melodies and improvisation.\u003c\/p\u003e\n\u003cp\u003eA good rebab should respond without requiring excessive bow pressure. Long notes should remain stable, melodic ornaments should be audible, and the transition between strings should feel manageable.\u003c\/p\u003e\n\u003cp\u003eThe character of the sound can vary according to:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eThe material and shape of the bowl\u003c\/li\u003e\n\u003cli\u003eThe resonating surface\u003c\/li\u003e\n\u003cli\u003eThe type and tension of the strings\u003c\/li\u003e\n\u003cli\u003eBridge height and placement\u003c\/li\u003e\n\u003cli\u003eBow tension and bow hair condition\u003c\/li\u003e\n\u003cli\u003eThe amount of bow pressure\u003c\/li\u003e\n\u003cli\u003eThe point where the bow contacts the strings\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe rebab should not be judged by volume alone. Its strength is not aggressive projection but a personal sound rich in detail and emotional character.\u003c\/p\u003e\n\u003ch2\u003eHow Is a Rebab Played?\u003c\/h2\u003e\n\u003cp\u003eA rebab is normally held in a vertical or slightly angled position while the bow moves across the strings. The left hand controls pitch on the fretless neck, while the right hand manages bow speed, pressure, direction, and contact point.\u003c\/p\u003e\n\u003cp\u003eBeginners often focus too much on pressing the strings and not enough on the bow. On a bowed instrument, much of the tone is created by the right hand. Too much pressure can produce a rough or choked sound, while too little pressure may cause an unstable or breathy note.\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eProduce a steady sound on one open string.\u003c\/li\u003e\n\u003cli\u003ePractise slow bow changes.\u003c\/li\u003e\n\u003cli\u003eKeep the bow’s contact point consistent.\u003c\/li\u003e\n\u003cli\u003eListen carefully to pitch.\u003c\/li\u003e\n\u003cli\u003eLearn short melodic phrases before fast ornaments.\u003c\/li\u003e\n\u003cli\u003eCheck posture to avoid wrist and shoulder tension.\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eStudying with a teacher familiar with Turkish or Middle Eastern bowed instruments can shorten the learning process considerably.\u003c\/p\u003e\n\u003ch2\u003eWhat Makes a Good Rebab?\u003c\/h2\u003e\n\u003cp\u003eA good rebab combines a responsive body, stable neck, reliable pegs, correctly positioned bridge, suitable string tension, and a usable bow. These features matter more than decorative details.\u003c\/p\u003e\n\u003ch3\u003eBowl and Resonating Body\u003c\/h3\u003e\n\u003cp\u003eThe bowl contributes strongly to the colour and projection of the instrument. Coconut and walnut bowls have different physical properties, although the final sound also depends on dimensions, surface preparation, bridge, strings, and workmanship.\u003c\/p\u003e\n\u003cp\u003eThe MRU-302 and MRU-302L use coconut bowls. The Professional Turkish Rebab BRP-404 uses a walnut bowl.\u003c\/p\u003e\n\u003ch3\u003eNeck and Fingerboard\u003c\/h3\u003e\n\u003cp\u003eThe neck must remain properly aligned because the instrument has no fixed frets to compensate for irregular geometry. A comfortable fingerboard helps the player make controlled shifts and find pitches accurately.\u003c\/p\u003e\n\u003cp\u003eWalnut is used for the fingerboard on the three current models. The MRU-302 and MRU-302L have walnut necks, while the professional BRP-404 has a maple neck.\u003c\/p\u003e\n\u003ch3\u003eBridge, Nut, and Pegs\u003c\/h3\u003e\n\u003cp\u003eThe bridge transfers string vibration to the resonating body. Its height and position influence tone, response, string clearance, and intonation.\u003c\/p\u003e\n\u003cp\u003eThe current models use bone bridges and nuts with walnut tuning pegs. Wooden pegs should turn smoothly while holding securely; slipping or sticking pegs can make learning unnecessarily difficult.\u003c\/p\u003e\n\u003ch3\u003eBow\u003c\/h3\u003e\n\u003cp\u003eThe bow is part of the instrument’s sound system, not merely an accessory. Bow hair condition and tension have a direct effect on articulation and tone.\u003c\/p\u003e\n\u003cp\u003eThe MRU-302 and left-handed MRU-302L are supplied with a bow and soft case. Players should also keep suitable bow rosin available.\u003c\/p\u003e\n\u003ch2\u003eBeginner Rebab vs Professional Rebab\u003c\/h2\u003e\n\u003cp\u003eA beginner needs a playable and correctly oriented instrument, while a professional player usually looks for greater tonal depth, dynamic control, construction refinement, and consistency. Price alone does not determine suitability.\u003c\/p\u003e\n\u003ctable\u003e\n\u003cthead\u003e\u003ctr\u003e\n\u003cth\u003eFeature\u003c\/th\u003e\n\u003cth\u003eStudent or Accessible Model\u003c\/th\u003e\n\u003cth\u003eProfessional Model\u003c\/th\u003e\n\u003c\/tr\u003e\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eMain purpose\u003c\/td\u003e\n\u003ctd\u003eLearning, practice, and exploration\u003c\/td\u003e\n\u003ctd\u003eRecording, performance, and long-term use\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eResponse\u003c\/td\u003e\n\u003ctd\u003eClear and manageable\u003c\/td\u003e\n\u003ctd\u003eMore detailed and dynamically sensitive\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMaterials\u003c\/td\u003e\n\u003ctd\u003eFunctional traditional materials\u003c\/td\u003e\n\u003ctd\u003eMore carefully selected materials and construction\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eTonal goal\u003c\/td\u003e\n\u003ctd\u003eReliable traditional character\u003c\/td\u003e\n\u003ctd\u003eGreater depth, colour, and control\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePrice level\u003c\/td\u003e\n\u003ctd\u003eMore accessible\u003c\/td\u003e\n\u003ctd\u003eHigher due to workmanship and refinement\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003eAn expensive professional instrument cannot replace bow control or ear training. However, a responsive rebab can make it easier for an experienced musician to control sustained notes, ornaments, dynamics, and phrasing.\u003c\/p\u003e\n\u003ch2\u003eWhat Is the Best Rebab Option?\u003c\/h2\u003e\n\u003cp\u003eThe best option depends on handedness, experience, intended use, and budget. The current collection contains one standard handmade model, one professional model, and one dedicated left-handed model.\u003c\/p\u003e\n\u003ch3\u003eBest Standard Choice: Turkish Rebab MRU-302\u003c\/h3\u003e\n\u003cp\u003eThe \u003cstrong\u003eTurkish Rebab MRU-302\u003c\/strong\u003e, priced at approximately \u003cstrong\u003e$1,299\u003c\/strong\u003e, is the most balanced standard option in the collection.\u003c\/p\u003e\n\u003cp\u003eIt has a coconut bowl, walnut neck, walnut fingerboard, walnut pegs, and bone bridge and nut. It comes with a bow and soft case.\u003c\/p\u003e\n\u003cp\u003eThis model may suit serious beginners working with a teacher, intermediate players, musicians exploring Turkish and Middle Eastern repertoire, and acoustic or studio projects.\u003c\/p\u003e\n\u003ch3\u003eBest Professional Choice: Professional Turkish Rebab BRP-404\u003c\/h3\u003e\n\u003cp\u003eThe \u003cstrong\u003eProfessional Turkish Rebab BRP-404\u003c\/strong\u003e, priced at approximately \u003cstrong\u003e$1,499\u003c\/strong\u003e, is the upper-level model in the collection.\u003c\/p\u003e\n\u003cp\u003eIt has a walnut bowl, maple neck, walnut fingerboard and pegs, and bone bridge and nut. The listed vibrating string length from bridge to nut is approximately 60 cm, while the bowl measures about 17 cm in width and length.\u003c\/p\u003e\n\u003cp\u003eThis model may suit experienced bowed-instrument players, professional Turkish music performers, recording musicians, and players seeking a long-term professional rebab.\u003c\/p\u003e\n\u003ch3\u003eBest Left-Handed Choice: Left Handed Turkish Rebab MRU-302L\u003c\/h3\u003e\n\u003cp\u003eThe \u003cstrong\u003eLeft Handed Turkish Rebab MRU-302L\u003c\/strong\u003e, priced at approximately \u003cstrong\u003e$799\u003c\/strong\u003e, is specifically arranged for left-handed musicians.\u003c\/p\u003e\n\u003cp\u003eIt uses a coconut bowl, walnut neck, walnut fingerboard and pegs, and bone bridge and nut. A bow and soft case are included.\u003c\/p\u003e\n\u003cp\u003eA dedicated left-handed instrument is generally a better long-term choice than informally reversing a right-handed setup. Bridge position, string order, bowing direction, and the player’s developing technique should be considered together.\u003c\/p\u003e\n\u003ch2\u003eWhat Is the Rebab Price Range?\u003c\/h2\u003e\n\u003cp\u003eThe Turkish rebab models in the current Sala Muzik collection range from approximately \u003cstrong\u003e$799 to $1,499\u003c\/strong\u003e. The price varies according to orientation, materials, construction level, and professional positioning.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003e$799:\u003c\/strong\u003e Left Handed Turkish Rebab MRU-302L\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e$1,299:\u003c\/strong\u003e Turkish Rebab MRU-302\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e$1,499:\u003c\/strong\u003e Professional Turkish Rebab BRP-404\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eA lower price does not necessarily mean that an instrument is inferior for its intended player. The $799 model is a specialised left-handed option, while the $1,499 model is positioned for professional use.\u003c\/p\u003e\n\u003cp\u003eWhen planning the total budget, also consider bow rosin, replacement strings, case protection, transport, possible bridge or peg adjustment, and lessons with an appropriate teacher. Buying from a store that specialises in traditional instruments matters because a rebab is not set up or evaluated in exactly the same way as a violin.\u003c\/p\u003e\n\u003ch2\u003eAffordable vs Professional Rebab: What Is the Difference?\u003c\/h2\u003e\n\u003cp\u003eThe main differences usually concern material selection, refinement of construction, tonal response, consistency, and the amount of control available to an experienced player. The professional model is intended to provide a stronger long-term platform for demanding performance and recording.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMore carefully selected bowl material\u003c\/li\u003e\n\u003cli\u003eMore refined neck and bridge alignment\u003c\/li\u003e\n\u003cli\u003eA more complex or controlled tonal response\u003c\/li\u003e\n\u003cli\u003eBetter consistency across sustained notes\u003c\/li\u003e\n\u003cli\u003eGreater sensitivity to changes in bow pressure\u003c\/li\u003e\n\u003cli\u003eConstruction intended for frequent performance\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eA student should not automatically purchase the most expensive model. The better choice is the instrument that matches the player’s handedness, technique, teacher’s advice, and intended repertoire.\u003c\/p\u003e\n\u003ch2\u003eRebab vs Kamancheh vs Violin\u003c\/h2\u003e\n\u003cp\u003eThe rebab, kamancheh, and violin are all bowed instruments, but their construction, posture, tonal character, and playing traditions differ. Choose according to the repertoire and sound you genuinely want to learn.\u003c\/p\u003e\n\u003ctable\u003e\n\u003cthead\u003e\u003ctr\u003e\n\u003cth\u003eInstrument\u003c\/th\u003e\n\u003cth\u003eGeneral Sound\u003c\/th\u003e\n\u003cth\u003ePlaying Position\u003c\/th\u003e\n\u003cth\u003eBest Suited To\u003c\/th\u003e\n\u003c\/tr\u003e\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eTurkish rebab\u003c\/td\u003e\n\u003ctd\u003eSoft, intimate, earthy, vocal-like\u003c\/td\u003e\n\u003ctd\u003eUsually vertical or angled\u003c\/td\u003e\n\u003ctd\u003eTurkish, Middle Eastern, traditional, and spiritual repertoire\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eKamancheh\u003c\/td\u003e\n\u003ctd\u003eFocused, sustained, penetrating\u003c\/td\u003e\n\u003ctd\u003eVertical spike-fiddle position\u003c\/td\u003e\n\u003ctd\u003ePersian, Azerbaijani, Kurdish, and regional traditions\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eViolin\u003c\/td\u003e\n\u003ctd\u003eWide dynamic range and strong projection\u003c\/td\u003e\n\u003ctd\u003eHeld at the shoulder\u003c\/td\u003e\n\u003ctd\u003eWestern classical, folk, jazz, and contemporary use\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003eChoose a Turkish rebab for its distinct traditional colour rather than as a cheaper substitute for a violin. Choose a kamancheh if Persian classical repertoire is your main focus, or a violin for its broad modern repertoire and teaching system.\u003c\/p\u003e\n\u003ch2\u003eA Short History of the Rebab\u003c\/h2\u003e\n\u003cp\u003e“Rebab” is a broad historical name applied to several related bowed and plucked instruments across a large geographic region. Historical sources connect bowed rebab types with musical cultures from the Middle East and surrounding regions, while related names appear in North Africa, Central Asia, and Southeast Asia.\u003c\/p\u003e\n\u003cp\u003eIn Ottoman and Turkish musical culture, the rebab became associated with bowed performance and spiritual or classical settings. It is also connected with Mevlevi musical tradition, where sustained bowed tones complement instruments such as the ney and kudüm.\u003c\/p\u003e\n\u003cp\u003eBecause the name covers several regional instruments, a Turkish rebab should not be confused with the plucked Afghan rubab. Product titles, construction, and playing technique should always be checked carefully.\u003c\/p\u003e\n\u003ch2\u003eCommon Mistakes When Buying a Rebab\u003c\/h2\u003e\n\u003cp\u003eThe most common mistakes come from treating every instrument called rebab or rabab as if it were identical. Regional differences can completely change construction and playing technique.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eConfusing a bowed Turkish rebab with a plucked Afghan rubab\u003c\/li\u003e\n\u003cli\u003eBuying a right-handed model for a left-handed student without guidance\u003c\/li\u003e\n\u003cli\u003eChoosing only by appearance\u003c\/li\u003e\n\u003cli\u003eIgnoring whether a bow and case are included\u003c\/li\u003e\n\u003cli\u003eExpecting violin-like volume and projection\u003c\/li\u003e\n\u003cli\u003eUsing excessive bow pressure\u003c\/li\u003e\n\u003cli\u003eChanging bridge position without professional advice\u003c\/li\u003e\n\u003cli\u003eUsing unsuitable strings\u003c\/li\u003e\n\u003cli\u003eStoring the instrument near heating or air-conditioning\u003c\/li\u003e\n\u003cli\u003eBuying without considering access to a teacher\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eRebab Care and First Setup\u003c\/h2\u003e\n\u003cp\u003eA handmade rebab should be protected from sudden changes in temperature and humidity. The natural materials used in the bowl, neck, bridge, pegs, and resonating surface can respond to environmental changes.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eKeep the rebab in its case when not in use.\u003c\/li\u003e\n\u003cli\u003eAvoid direct sunlight, radiators, heaters, and air-conditioning vents.\u003c\/li\u003e\n\u003cli\u003eWipe the strings and neck with a soft dry cloth.\u003c\/li\u003e\n\u003cli\u003eKeep rosin dust from building up on the instrument.\u003c\/li\u003e\n\u003cli\u003eDo not use furniture polish or household cleaning chemicals.\u003c\/li\u003e\n\u003cli\u003eCheck that the bridge remains upright.\u003c\/li\u003e\n\u003cli\u003eDo not force wooden pegs.\u003c\/li\u003e\n\u003cli\u003eLoosen the bow hair after playing.\u003c\/li\u003e\n\u003cli\u003eConsider stronger protection for air travel.\u003c\/li\u003e\n\u003cli\u003eAsk a specialist before replacing the bridge or altering the setup.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eNew strings and wooden pegs may require more frequent tuning during the first playing sessions.\u003c\/p\u003e\n\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\n\u003ch3\u003eIs the Turkish rebab suitable for beginners?\u003c\/h3\u003e\u003cp\u003eYes, but learning is easier with a teacher familiar with fretless bowed instruments. Beginners should prioritise stable setup, correct orientation, and manageable bow response.\u003c\/p\u003e\n\u003ch3\u003eIs the rebab played with a bow?\u003c\/h3\u003e\u003cp\u003eThe Turkish rebab in this collection is a bowed instrument. This distinguishes it from some plucked instruments that also use the name rabab or rubab.\u003c\/p\u003e\n\u003ch3\u003eHow many strings does a rebab have?\u003c\/h3\u003e\u003cp\u003eTraditional rebab types may have two or three strings, depending on regional design. Always check the exact product specification because the name covers several related instruments.\u003c\/p\u003e\n\u003ch3\u003eDoes a rebab have frets?\u003c\/h3\u003e\u003cp\u003eThe Turkish rebab is generally fretless. Players control pitch directly with the left hand, allowing subtle intonation and ornamentation.\u003c\/p\u003e\n\u003ch3\u003eWhat does a rebab sound like?\u003c\/h3\u003e\u003cp\u003eIt has a warm, intimate, slightly nasal and vocal-like sound. It is valued for expressive sustained notes rather than extreme volume.\u003c\/p\u003e\n\u003ch3\u003eIs a bow included?\u003c\/h3\u003e\u003cp\u003eThe current MRU-302 and MRU-302L descriptions state that a bow and soft case are included. Package contents for any model should still be checked at purchase.\u003c\/p\u003e\n\u003ch3\u003eCan a left-handed player use a standard rebab?\u003c\/h3\u003e\u003cp\u003eSome musicians adapt to a standard orientation, but a dedicated left-handed model can provide a more natural long-term setup. Teacher guidance is recommended.\u003c\/p\u003e\n\u003ch3\u003eWhat is the difference between a rebab and a rubab?\u003c\/h3\u003e\u003cp\u003eThe spelling varies by region, and the family name can describe different instruments. A Turkish rebab is bowed, while the Afghan rubab is normally plucked and differs substantially in body, strings, and technique.\u003c\/p\u003e\n\u003ch3\u003eCan a rebab be amplified?\u003c\/h3\u003e\u003cp\u003eYes. A suitable microphone or carefully installed pickup can be used for recording and stage performance. Because the natural sound is subtle, microphone placement and feedback control are important.\u003c\/p\u003e\n\u003ch2\u003eExplore Turkish Rebabs\u003c\/h2\u003e\n\u003cp\u003eExplore handmade Turkish rebabs for standard, professional, and left-handed players. Compare construction, orientation, materials, included accessories, and price before selecting the instrument that best matches your repertoire and experience.\u003c\/p\u003e\n\u003cp\u003eA rebab should feel comfortable, respond to controlled bowing, and support the sound you want to develop over years of practice.\u003c\/p\u003e","products":[{"product_id":"turkish-rebab-mru-302","title":"Turkish Rebab MRU-302","description":"\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/RUkRwMAW0NQ\"\u003e\u003c\/iframe\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003ch1\u003e Turkish Rebab MRU-302\u003c\/h1\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe Turkish Rebab MRU-302 is a handmade bowed string instrument designed for musicians who want a warm, traditional and expressive sound. With its wooden body and authentic acoustic character, this rebab is suitable for Turkish music, Middle Eastern music, folk music, world music and acoustic arrangements.\u003c\/p\u003e\n\u003cp\u003eThis instrument is a good choice for students, intermediate players and professional musicians who want to explore the unique sound of the rebab. It can be used for practice, music education, studio recording, live performance, traditional repertoire and ethnic music projects.\u003c\/p\u003e\n\u003cp\u003eThe MRU-302 has a natural bowed string tone with an emotional and vocal-like character. It is especially useful for melodic playing, improvisation, solo performance and adding an authentic traditional texture to musical compositions.\u003c\/p\u003e\n\u003cp\u003eBecause this is a handmade wooden instrument, small differences in wood grain, color, texture, finish and measurements may occur. These natural variations are normal for handmade musical instruments and make each piece unique.\u003c\/p\u003e\n\u003cp\u003eFeatures:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eHandmade Turkish rebab \/ bowed string instrument\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eWarm, traditional and expressive acoustic sound\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eSuitable for Turkish, Middle Eastern, folk and world music\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eWooden body with natural handmade character\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eGood for beginners, students, intermediate and professional players\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eSuitable for practice, recording, education and live performance\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eIdeal for melodic playing, improvisation and traditional music\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eFrequently Asked Questions\u003c\/p\u003e\n\u003cp\u003eIs this rebab suitable for beginners?\u003cbr\u003eYes. The Turkish Rebab MRU-302 can be used by beginners who want to learn a traditional bowed string instrument, especially for Turkish, Middle Eastern and world music.\u003c\/p\u003e\n\u003cp\u003eWhat kind of music is it used for?\u003cbr\u003eIt is suitable for Turkish music, Middle Eastern music, folk music, traditional melodies, world music projects and acoustic ensembles.\u003c\/p\u003e\n\u003cp\u003eCan it be used for professional performance?\u003cbr\u003eYes. The MRU-302 can be used for live performance, studio recording and cultural music projects by professional musicians.\u003c\/p\u003e\n\u003cp\u003eWhat does the Turkish Rebab MRU-302 sound like?\u003cbr\u003eIt has a warm, natural and expressive bowed string sound with a traditional character. It is well suited for emotional melodies and improvisation.\u003c\/p\u003e\n\u003cp\u003eAre all handmade rebabs exactly the same?\u003cbr\u003eNo. Since each instrument is handmade, small differences in wood grain, color, texture, finish and measurements may occur. These details are part of the natural character of handmade instruments.\u003c\/p\u003e\n\u003ch2\u003eMaterials:\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong style=\"font-size: 1.4em;\"\u003eBowl: Coconut\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong style=\"font-size: 1.4em;\"\u003ePegs: Walnut\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-size: 19.600000381469727px;\"\u003e\u003cb\u003eBridge: Bone\u003c\/b\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-size: 19.600000381469727px;\"\u003e\u003cb\u003eNuts: Bone\u003c\/b\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-size: 19.600000381469727px;\"\u003e\u003cb\u003eFingerboard: Walnut\u003c\/b\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"font-size: 19.600000381469727px;\"\u003e\u003cb\u003eNeck: Walnut\u003c\/b\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 19.600000381469727px;\"\u003e\u003cb\u003eIt comes with soft case and bow\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 1.4em;\"\u003e\u003cem\u003eIt is exactly the same as on video and pictures\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e","brand":"Sala","offers":[{"title":"Default Title","offer_id":39466322886841,"sku":"SMRU302","price":1299.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1619\/7281\/products\/9215.jpg?v=1615746876"}],"url":"https:\/\/salamuzik.com\/sv\/collections\/rebab.oembed","provider":"Sala Muzik","version":"1.0","type":"link"}