{"title":"کمانچه کدویی","description":"\u003cspan\u003eKabak kemane (or only \u003c\/span\u003e\u003cem\u003ekemane\u003c\/em\u003e\u003cspan\u003e)\u003c\/span\u003e\u003cspan\u003e is one of the oldest Turkish bowed instruments and is it extensively used in Anatolia. It is a fretless instrument and generates a melancholic sound. The back bowl and the neck of kemane is made of gourd or wood. The face is of stretched skin. It originally had tree strings, later a fourth string has been added to kemane to obtain a wider range of sound. Kemane continued to be developed and there are kemanes of five, six and even seven strings. Kabak kemane is a solo instrument, however it can also be used as an accompaniment in Turkish folk music ensembles. It constitutes the only example as a stringed and bowed instrument with stretched skin. Kabak kemanes in our store are hand-made, constructed by the best masters. You can always visit our store in Istanbul or check our catalogue through our website to find the best kabak kemane for you at the best value.\u003c\/span\u003e","products":[{"product_id":"professional-kabak-kemane-hkk-166","title":"کمانه کدو حرفه‌ای HKK-166","description":"\u003ch1\u003eکمانه کباب حرفه‌ای HKK-166\u003cbr\u003e\u003cbr\u003e\n\u003c\/h1\u003e\n\u003cp\u003eاین کمانه کباب دارای کاسه‌ای به شکل کدو حلوایی است و شامل یک کمان، موم و یک کیف نرم با کیفیت بالا می‌باشد. این محصول توسط یکی از بهترین سازندگان کمانه کباب در ترکیه ساخته شده و بسیاری از نوازندگان حرفه‌ای به خاطر کیفیت و craftsmanship عالی آن به آن اعتماد دارند.\u003c\/p\u003e","brand":"Dest","offers":[{"title":"Default Title","offer_id":32741569103,"sku":"O1-RU99-EY9T","price":399.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1619\/7281\/products\/professional-kabak-kemane-hkk-166-kemence-dest-sala-muzik-string-instrument-musical_587.jpg?v=1627157965"},{"product_id":"turkish-kabak-kemane-strings","title":"سیم‌های کمانه کدوئی ترکیه‌ای","description":"\u003cdiv align=\"center\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cspan size=\"5\" style=\"font-size: x-large;\"\u003e\u003cspan style=\"font-weight: bold;\"\u003e\u003cbr\u003e\u003cbr\u003e خریدار ۱ بسته از رشته‌های با کیفیت بالا کمان ترکی را دریافت خواهد کرد\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003cp style=\"text-indent: -0.25in; 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Made of high-quality materials.\u003c\/span\u003e\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003e\u003cspan\u003eThe thick sponge can prevent Kabak Kemane from damage and thick adjustable straps make it more comfortable to carry.\u003c\/span\u003e\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan style=\"color: #000000;\"\u003e\u003cstrong\u003eThe sleek appearance and solid construction will keep the \u003cb\u003e\u003cspan\u003eKabak Kemane\u003c\/span\u003e\u003c\/b\u003e from scratches and dirt, also the sturdy zipper and rubber shockproof base protect the \u003cb\u003e\u003cspan\u003eKabak Kemane\u003c\/span\u003e\u003c\/b\u003e well.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003e\u003cspan\u003eWaterproof\u003c\/span\u003e\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLightweight construction for easy travel\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eWith shoulder straps and solid handle, convenient for \u003cb\u003e\u003cspan\u003eKabak Kemane\u003c\/span\u003e\u003c\/b\u003e players carrying the instrument around.\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003e\u003cspan\u003eOutside has 2 pockets for Accessories. \u003c\/span\u003e\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003e\u003cspan\u003eInside has 1 Place for bow\u003c\/span\u003e\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003e\u003cspan\u003eHigh-quality zippers\u003c\/span\u003e\u003c\/b\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003ePadded shoulder straps \u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eExterior bottom rubber guard protects your \u003cb\u003e\u003cspan\u003eKabak Kemane\u003c\/span\u003e\u003c\/b\u003e from everyday knocks and bumps\u003cbr\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eSafe Lockable Zipper\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTotal Length: 74 cm\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBowl Width: 22 cm\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"Sala","offers":[{"title":"Default Title","offer_id":35506382799003,"sku":"SSAFE315","price":99.9,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1619\/7281\/products\/padded-kabak-kemane-gig-bag-case-safe-315-gigbag-hard-kamanche-accessories-sala-muzik-footwear-denim-811.jpg?v=1627156901"},{"product_id":"bow-for-kabak-kemane-skb-306","title":"Bow for Kabak Kemane SKB-306","description":"\u003ch1\u003eBow For Kabak Kemane\u003c\/h1\u003e\n\u003cp\u003e\u003cstrong\u003eTotal Length:\u003c\/strong\u003e 68 cm\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHorse Hair\u003c\/strong\u003e\u003c\/p\u003e","brand":"Dest","offers":[{"title":"Default Title","offer_id":38842935443641,"sku":"SSKB306","price":49.9,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1619\/7281\/products\/IMG_8825_418027f5-e228-49c7-bed4-b4b024fdaaac.jpg?v=1611847579"},{"product_id":"the-usul-in-turkish-music-pmk-205","title":"The Usul (Rhythmic Pattern) in Turkish Music PMK-205","description":"\u003ch1\u003eThe Usul (Rhythmic Pattern) in Turkish Music PMK-205\u003c\/h1\u003e\n\u003cp\u003eFor centuries, Turkish music has been passed down orally, within a master and apprentice re- lationship, through a process known as meşk. Since the 17th century, there have been attempts to commit it to notation, first the ebcet (abjad) numerological system and later, with a simple and inadequate system called Hamparsum notation.\u003c\/p\u003e\n\u003cp\u003eThere has been an effort to preserve the usuls, or rhythmic patterns, of Turkish music using syllables such as DÜM-TEK-TEKE-TEK KÂ, and poetic meters. Necessary during the era when music was not written and was a matter of memory, these pattern systems (and especially the major usuls) have been passed to us through the memories of a few aged musicians trained in the old tradition.\u003c\/p\u003e\n\u003cp\u003eSince the introduction of Western notation to Turkish music, there have been several prob- lems in its adaptation to our music, but certain progress has been made. Unfortunately, the notation of the usuls has not yet reached the desired level.\u003c\/p\u003e\n\u003cp\u003eEfforts to devise a new way of writing music began fifty years but are not yet clear, and far from easy to understand. Over time, the errors of those who notated our usuls have become tradition, and the next generation of musicians remains under the influence of these errors.\u003c\/p\u003e\n\u003cp\u003eThe confusion in notation has necessitated the continuation of the master-apprentice rela- tionship.\u003c\/p\u003e\n\u003cp\u003eThe continuing habit among classical performers to play the major usuls from memory has created difficulty for the younger generations in their training as percussion artists per- forming traditional music.\u003c\/p\u003e\n\u003cp\u003eOne of the clearest reasons why our Republican-period composers have chosen not to write works in the classical and high forms is insufficient understanding and teaching of our usuls.\u003c\/p\u003e\n\u003cp\u003eIn this book, I have done my best to analyze the usuls in a simpler and more comprehen- sible way.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFahrettin YARKIN\u003c\/strong\u003e \u003c\/p\u003e\n\u003ch2\u003e\n\u003cspan style=\"font-size: 1.4em;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/h2\u003e\n\u003ch2\u003e\u003cspan style=\"font-size: 1.4em;\"\u003eAbout the Author\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 1.4em;\"\u003eFahrettin Yarkin was born in 1960 in Istanbul. He graduated from the Istanbul TEchnical University State Conservatory in 1983. In 1981, he passed auditions for TRT Istanbul Radio, and became a permanent artist in 1983. At the Radio, he had the opportunity to work with some of the foremost msicians of the period, including Bekir Sidki Sezgin, Alaeddin Yavasca, Cinucen Tanrikorur, Kani Karaca and Yildirim Gurses. During the 80's, and 90's, he performed the Seb-i Aruz in Konya with the Istanbul Mevlevi ensemble. Yarkin has performed in many countries, both as a state employee and in independent concerts and projects. These include the album 'Fasil', made in Belgium with Cinucen Tanrikorur and Murat Salim Tokac; concerts and CD's with Spanish artist Jordi Savall, Haris Alexiou, Teo Leovendi, Panagiotis Neochorotos, and the Dutch group Axis Ensemble; concerts in the Istanbul Jazz Festival with JackDeJohnette, the Rova Saxophone Quartet, and Masha Vahdat; musical direction of albums by the Ensemble Saltiel and Romina Basso; lessons and seminars. In 1994 he and his brother Ferruh Yarkin formed the Yarkin Turk Ritm Grubu and recorded the albums Ten, Tentende, Kervansaray and Birlikte Yasamak. Yarkin joined four more fine musicians to form the group Istanbul Solistleri. 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